This one's a bit different. Not just keyboard shortcuts this time.
Until Adobe gets their act together with merged clips, I find the easiest way to work with dual-system sound is to sync up all of my media on one or more timelines and then three-point-edit from those stringouts to my main sequence.
For a better view of what's in the source monitor, you can open it as its own timeline, and stack it on top of your program timeline as a 'pancake'.
Avid still does all of this better, but whatever....
This is another in my series of very-quick tutorials. No intros, no blabbing, just the information. As all tutorials should be.
All my tutorials: • Very Quick Tutorials
My other stuff: https://dominicmulligan.com
#premierepro #tutorial #editing
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Very Quick Tutorial #3 - Working with sequences in the source monitor - plus, how to to open a source monitor timeline.
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